![]() Sporting only a few easy to understand controls, a somewhat small range of frequencies that it affects and (above all else) pristine audio quality, I find it incredibly easy to land upon a brilliant bass sound in nearly no time at all with the Precision Enhancer Hz. The punch section is a super useful tool - I find myself employing it to control the thickness of synth pads or anything that has an unruly amount of both midrange and bass frequencies. PSP was one of the first plugin makers to include a dry/wet blend on most all of their products, and it comes in handy on MixBass2 for scaling back the intensity of the effect. ![]() MixBass2 is feature-rich, with controls to tune the fundamental of the effect, a compressor section to dial in the dynamics of your low frequencies, a character/color knob to shape the tone and an ingenious punch section which can boost or attenuate the midrange in relation to the bass. It’s no surprise that they also created one of the most versatile low frequency enhancers. PSP is a vastly underrated plugin company who make some of my favorite saturators, compressors and even reverbs. I’ll use MaxxBass on kick drum only in the choruses to make them deeper, thicker and more powerful. I like to make choruses sound fuller not only by adding more elements, but by extending both the higher and lower frequency ranges. You can audition the effect, the original audio or both combined - an important tool considering how low frequencies can be deceptive depending on your listening environment. It features dynamics and harmonics sections, which help to dial in the punch and timbre of kick drums, electric bass and whatever else you so desire. It allows users to add in subharmonic frequency content all the way down to 16 Hz using the MaxxBass slider. Waves MaxxBassĪn oldie but a goodie for sure, MaxxBass from Waves has been extending low frequency content for well over a decade now. Here are some of my favorite plugins for mixing bass frequencies: 1. Fortunately, there are many great tools available for dialing in and even enhancing low end. ![]() ![]() ![]() Today we can pack more of everything into our productions, low end included. While the medium with which we consume music has changed, what has remained constant is the pursuit of thick, powerful low frequency content. Ingeniously, the RIAA created an EQ curve that helped mitigate the space limitations and sonic issues that arise due to the nature of bass frequencies. Artists have nearly always tried to push the boundaries of how much bass could be fit into their records, which has created challenges for engineers - an over abundance of bass can cause all sorts of problems with vinyl, even causing the needle to jump off the record if it’s not properly controlled. In fact, due to their tendency to eat up headroom, excessive low frequencies might end up making your entire mix sound thin once it’s run through the compressors and limiters required to get program material up to competitive loudness standards. It’s not as simple as using an equalizer and boosting the low end, though. Pounding 808s, deep growling synths, thunderous bass guitars - regardless of the genre of music, thick, powerful low frequency content is an important part of modern music mixes. ![]()
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